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Niemandsvater - Lieder über Schmerz und Tod flac mp3 download

Niemandsvater - Lieder über Schmerz und Tod flac mp3 download
Title:
Lieder über Schmerz und Tod
Musician:
Niemandsvater
Style:
Neo-Classical, Romantic, Neofolk, Experimental, Dark Ambient
Released:
MP3 album size:
1780 mb
FLAC album size:
1128 mb
Other formats:
AAC AC3 ADX MP1 RA AHX VQF
Rating:
4.4 ✪

Tracklist Hide Credits

1 Abschied 0:31
2 Still! 7:01
3 O wär ich tot! 7:37
4 Sonne möcht ich sein 7:04
5 Die Blätter fallen 7:35
6 Dahin
Lead Vocals – Willem Witte
7:01

Notes

For "Lieder über Schmerz und Tod", NIEMANDSVATER have put poems of the East Prussian folk poet Johanna Ambrosius (3rd of August 1854 to 27th of February 1939) to music. Her touching poetry paints pictures from nature that reflect her personal suffering and her death wish.


NIEMANDSVATER´s compositions have a distinctive neo-classical allure combined with conjuring psychedelic elements. Thanks to their open and experimental approach, the creative minds Chistoph Lotte and Niklas Schäpsmeier clearly avoid any kind of stereotype and raise "Neue Deutsche Todeskunst" to a higher level.

The album is released on 27th of February 2015, the day Johanna Ambrosius passed away, 76 years ago. Christoph Lotte and Niklas Schäpsmeier produced the digipack album on their own. The edition is limited to 50 copies.

The artwork for the front cover shows a painting by the German artist Andreas Schneider ("Herbst", acrylic on canvas, 2012).

The song "Dahin" is a collaboration with Willem Witte (Strydwolf/formerly Osewoudt) who did the lead vocals.

Barcode and Other Identifiers

  • Other: ATU XIII

Video about Niemandsvater - Lieder über Schmerz und Tod



Reviews:
  • Gholbithris
Santa Sangre Magazine, 17.05.2015:"This new album by Niemandsvater, the title of which could be translated as “Songs about Suffering and Death”, has been released in an extremely limited edition of 50 handmade copies on the Opus Abscondi web shop, and is an homage to the work of the East Prussian poetess Johanna Ambrosius, who lived at the beginning of the 20th Century. Ambrosius was born from a poor family of peasants, and lived most of her life in a rural context. Nature has a central role in her poetry, and its manifestations are often used as a metaphor for her deep depression and unhappiness. In any of the five poems chosen by Niemandsvater for this album, the lack of fulfillment that the author felt in her life is strikingly evident. She depicts death as a relief from the strain of her living, as a way to find the peace she never had. In “O Wär Ich Tot!” she depicts natural elements such as the sea, the trees, the ground and the birds’ singing from the perspective of a deceased person that passively becomes a part of it, undisturbed for eternity. The song has an evocative video that can be found on Youtube, where the faces of the two members Christoph Lotte and Niklas Schäpsmeier appear from the dark, illuminated from below as if in a darker version of “Bohemian Rhapsody”.While their first album, “Zeitenlos”, dated 2012, could be easily classified as German neofolk, this new work steps more towards neoclassical music, with a wide use of piano and strings. The duo take their time in developing the mood of every song, and in giving the right breath to every declamation. For this reason, apart from the short intro “Abschied”, all the other tracks reach seven minutes of length, but you never have the feeling that things are carried on for too long. It’s true that the music is built on repetitive patterns, but elements such as the deep sound of the cellos and the themes played on bells give an entrancing output. The style of the declamations varies following the structure of the poems, so while the ones with short and regular verses as “Still” are interpreted as a psychedelic lullaby, others like the already cited “O Wär Ich Tot!” or “Die Blätter Fallen” are delivered in a sumptuous spoken form. The last track ,“Dahin”, features guest vocals by Willem Witte of Strydwolf, that fits perfectly in the early 20th Century atmosphere that Niemandsvater delineate all through “Lieder Über Schmerz und Tod”. The lyrics are obviously an essential part of this opus, and in fact they’re included in the nice digipak, that I highly recommend, along with a painting by Andreas Schneider titled “Herbst” on the front cover, portraits of Johanna Ambrosius and the quote “Der Schmerz macht lebendig” which means “Pain gives Life”." (Reviewed by Damiano Lanzi)