Various, Dutoit, Montréal - Charles Dutoit: Recordings With The Montréal Symphony Orchestra (1980-2000) flac mp3 download

Title:
Charles Dutoit: Recordings With The Montréal Symphony Orchestra (1980-2000)
Musician:
Style:
Classical, Romantic, Choral, Impressionist, Neo-Classical, Neo-Romantic, Modern
Released:
MP3 album size:
1236 mb
FLAC album size:
1151 mb
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Rating:
4.1 ✪
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Tracklist Hide Credits
| Daphnis Et Chloé | |||
| –Maurice Ravel | Première PartieChorus – Chœurs de L'Orchestre Symphonique de MontréalChorus Master – René Lacourse |
||
| 1-1 | – | Introduction Et Danse Religieuse | 8:15 |
| 1-2 | – | Scène -- Danse Générale | 3:27 |
| 1-3 | – | Danse Grotesque De Dorcon -- Scène | 1:56 |
| 1-4 | – | Danse Légère Et Gracieuse De Daphnis | 3:37 |
| 1-5 | – | Scène -- Danse De Lycéion -- Scène (Les Pirates) | 4:01 |
| 1-6 | – | Scène -- Danse Lente Et Mystérieuse | 5:07 |
| –Maurice Ravel | Deuxième Partie | ||
| 1-7 | – | Introduction | 2:50 |
| 1-8 | – | Danse Guerrière | 4:24 |
| 1-9 | – | Scène -- Danse Suppliante De Chloé | 5:47 |
| –Maurice Ravel | Troisième Partie | ||
| 1-10 | – | Lever Du Jour -- Scène | 6:08 |
| 1-11 | – | Daphnis Et Chloé Miment L'Aventure De Pan Et De Syrinx | 6:58 |
| 1-12 | – | Danse Générale | 3:28 |
| - | |||
| 2-1 | –Maurice Ravel | Boléro | 15:02 |
| 2-2 | –Maurice Ravel | Alborada Del Gracioso (Version Pour Orchestre) | 7:17 |
| –Maurice Ravel | Rapsodie Espagnole | ||
| 2-3 | – | Prélude À La Nuit | 4:19 |
| 2-4 | – | Malagueña | 2:07 |
| 2-5 | – | Habanera | 2:51 |
| 2-6 | – | Feria | 6:10 |
| 2-7 | –Maurice Ravel | La Valse (Poème Chorégraphique) | 12:09 |
| El Sombrero De Tres Picos | |||
| 3-1 | –Manuel De Falla | Introducción | 1:31 |
| –Manuel De Falla | Parte 1 | ||
| 3-2 | – | La Tarde | 5:25 |
| 3-3 | – | Danza De La Molinera | 3:34 |
| 3-4 | – | Las Uvas | 4:05 |
| –Manuel De Falla | Parte 2 | ||
| 3-5 | – | Danza De Los Vecinos | 3:16 |
| 3-6 | – | Danza Del Molinero | 7:31 |
| 3-7 | – | Danza Del Corregidor | 6:12 |
| 3-8 | – | Danza Final | 6:17 |
| - | |||
| –Manuel De Falla | El Amor BrujoMezzo-soprano Vocals – Huguette Tourangeau |
||
| 3-9 | – | Introducción Y Escena | 0:31 |
| 3-10 | – | En La Cueva -- La Noche | 2:12 |
| 3-11 | – | Canción Del Amor Dolido | 1:30 |
| 3-12 | – | El Aparecido | 0:11 |
| 3-13 | – | Danza Del Terror | 1:48 |
| 3-14 | – | El Circulo Mágico | 2:20 |
| 3-15 | – | A Media Noche. Los Sortilegios | 0:26 |
| 3-16 | – | Danza Ritual Del Fuego, Para Ahuyentar Los Malos Espíritus | 3:53 |
| 3-17 | – | Escena | 1:01 |
| 3-18 | – | Canción Del Fuego Fatuo | 1:37 |
| 3-19 | – | Pantomima | 4:25 |
| 3-20 | – | Danza Del Juego De Amor | 2:46 |
| 3-21 | – | Final. Les Campanas Del Amanecer | 1:28 |
| –Camille Saint-Saëns | Symphony No. 3 In C Minor, Op. 78 "Organ Symphony"Organ – Peter Hurford |
||
| 4-1 | – | I. Adagio -- Allegro Moderato -- | 10:21 |
| 4-2 | – | Poco Adagio | 9:27 |
| 4-3 | – | II. Allegro Moderato -- Presto -- Allegro Moderato -- | 6:47 |
| 4-4 | – | Maestoso -- Più Allegro -- Molto Allegro | 7:44 |
| –Ernest Chausson | Symphony In B-Flat Major, Op. 20 | ||
| 4-5 | – | I. Lent -- Allegro Vivo | 11:48 |
| 4-6 | – | II. Très Lent | 9:26 |
| 4-7 | – | III. Animé | 13:28 |
| –Maurice Ravel | Piano Concerto In G MajorPiano – Pascal Rogé |
||
| 5-1 | – | I. Allegramente | 8:15 |
| 5-2 | – | II. Adagio Assai | 9:55 |
| 5-3 | – | III. Presto | 3:54 |
| 5-4 | –Maurice Ravel | Menuet Antique (Version Pour Orchestre) | 6:31 |
| –Maurice Ravel | Piano Concerto For The Left HandPiano – Pascal Rogé |
||
| 5-5 | – | Lento -- Allegro | 19:04 |
| 5-6 | –Maurice Ravel | Une Barque Sur L'Océan (Version Pour Orchestre) | 7:53 |
| 5-7 | –Maurice Ravel | Fanfare Pour "L'Éventail De Jeanne" | 1:19 |
| –Ottorino Respighi | Pini De Roma | ||
| 6-1 | – | I. I Pini Di Villa Borghese | 2:35 |
| 6-2 | – | II. Pini Presso Una Catacomba | 6:16 |
| 6-3 | – | III. I Pini Del Gianicolo | 6:56 |
| 6-4 | – | IV. I Pini Della Via Appia | 4:29 |
| –Ottorino Respighi | Fontane Di Roma | ||
| 6-5 | – | I. Circenses | 4:38 |
| 6-6 | – | II. Il Giubileo | 7:06 |
| 6-7 | – | III. L'Ottobrata | 7:51 |
| 6-8 | – | IV. La Befana | 5:24 |
| –Ottorino Respighi | Feste Romane | ||
| 6-9 | – | I. La Fontana Di Valle Giulia All'alba | 4:14 |
| 6-10 | – | II. La Fontana Del Tritone Al Mattino | 2:20 |
| 6-11 | – | III. La Fontana Di Trevi Al Meriggio | 3:19 |
| 6-12 | – | IV. La Fontana Di Villa Medici Al Tramonto | 5:14 |
| –Maurice Ravel | Ma Mère L'Oye - Ballet Complet | ||
| 7-1 | – | Prélude | 3:19 |
| 7-2 | – | 1er Tableau: Danse Du Rouet Et Scène | 3:29 |
| 7-3 | – | 2e Tableau: Pavane De La Belle Au Bois Dormant | 2:28 |
| 7-4 | – | 3e Tableau: Les Entretiens De La Belle Et De La Bête | 5:13 |
| 7-5 | – | 4e Tableau: Petit Poucet | 4:24 |
| 7-6 | – | 5e Tableau: Laideronnette, Impératrice Des Pagodes | 9:18 |
| 7-7 | –Maurice Ravel | Pavane Pour Une Infante DéfunteHorn – John Zirbel |
6:38 |
| –Maurice Ravel | Le Tombeau De Couperin | ||
| 7-8 | – | I. Prélude | 2:48 |
| 7-9 | – | II. Forlane | 5:19 |
| 7-10 | – | III. Menuet | 4:30 |
| 7-11 | – | IV. Riguadon | 2:49 |
| –Maurice Ravel | Valses Nobles Et Sentimentales | ||
| 7-12.1 | – | I. Modéré | 3:52 |
| 7-12.2 | – | II. Assez Lent | |
| 7-13.1 | – | III. Modéré | 3:11 |
| 7-13.2 | – | IV. Assez Animé | |
| 7-14.1 | – | V. Presque Lent | 2:13 |
| 7-14.2 | – | VI. Assez Vif | |
| 7-15.1 | – | VII. Moins Vif | 6:47 |
| 7-15.2 | – | VIII. Épilogue | |
| –Nikolai Rimsky-Korsakov | Scheherazade (Symphonic Suite, Op. 35)Violin – Richard Roberts |
||
| 8-1 | – | The Sea And Sinbad's Ship | 10:31 |
| 8-2 | – | The Story Of The Kalendar Prince | 11:31 |
| 8-3 | – | The Young Prince And The Young Princess | 10:33 |
| 8-4 | – | Festival At Baghdad -- The Sea -- Shipwreck | 12:24 |
| –Nikolai Rimsky-Korsakov | Capriccio Espagnol | ||
| 8-5 | – | I. Alborada | 1:11 |
| 8-6 | – | II. Variazoni | 4:48 |
| 8-7 | – | III. Alborada | 1:12 |
| 8-8 | – | IV. Scena E Canto Gitano | 5:13 |
| 8-9 | – | V. Fandango Asturiano | 3:27 |
| –Jacques Offenbach | Gaité Parisienne (From Various Offenbach Works)Orchestrated By – Manuel Rosenthal |
||
| 9-1 | – | Overture (La Vie Parisienne) | 2:13 |
| 9-2 | – | No. 1 - Allegro Brilliante (Mesdames De La Halle) | 1:05 |
| 9-3.1 | – | No. 2 - Polka (Le Voyage Dans La Lune) | 3:49 |
| 9-3.2 | – | No. 3 - Poco Allegro -- A Tempo De Ländler (Lischen Et Fritzchen) | |
| 9-4.1 | – | No. 4 - Mazurka (La Vie Parisienne) | 5:07 |
| 9-4.2 | – | No. 5 - Valse (La Vie Parisienne) | |
| 9-5.1 | – | No. 6 - Peruvian Dance -- Allegro (La Vie Parisienne) | 2:52 |
| 9-5.2 | – | No. 7 - Polka (La Belle Hélène) | |
| 9-6.1 | – | No. 8 - Valse Lente (Orphée Aux Enfers) | 4:52 |
| 9-6.2 | – | No. 9 - Tempo Di Marcia (Tromb-Al-Cazar) | |
| 9-7.1 | – | No. 10 - Valse Moderato (La Vie Parisienne) | 6:54 |
| 9-7.2 | – | No. 11 - Vivo (La Vie Parisienne) | |
| 9-7.3 | – | No. 12 - Valse (Les Contes D'Hoffmann) | |
| 9-7.4 | – | No. 13 - Allegro Misterioso (Rosenthal) | |
| 9-8 | – | No. 14 - Valse (Le Périchole) | 3:20 |
| 9-9.1 | – | No. 15 - Allegro (Rosenthal) | 3:39 |
| 9-9.2 | – | No. 16 - Cancan (Robinson Crusoe) | |
| 9-9.3 | – | No. 17 - Quadrille (Orphée Aux Enfers) | |
| 9-10.1 | – | No. 18 - Cancan [Allegro] (Orphée Aux Enfers) | 3:07 |
| 9-10.2 | – | No. 19 - Allegro Moderato (Orphée Aux Enfers) | |
| 9-10.3 | – | No. 20 - Allegro (Orphée Aux Enfers) | |
| 9-10.4 | – | No. 21 - Leggiero (Orphée Aux Enfers) | |
| 9-11 | – | No. 22 - Vivo (Orphée Aux Enfers) | 1:07 |
| 9-12 | – | No. 23 - Barcarolle (Les Contes D'Hoffmann) | 3:38 |
| 9-13 | –Charles Gounod | Faust - Ballet Music (1860/69 Version, Act V) | 17:00 |
| –Hector Berlioz | Symphonie Fantastique | ||
| 10-1 | – | I. Reveries -- Passions | 15:47 |
| 10-2 | – | II. Un Bal | 6:30 |
| 10-3 | – | III. Scéne Aux Champs | 17:01 |
| 10-4 | – | IV. Marche Au Supplice | 4:52 |
| 10-5 | – | V. Songe D'Une Nuit Du Sabbat | 10:27 |
| 10-6 | –Hector Berlioz | Le Carnaval Romain (Ouverture) | 8:35 |
| 10-7 | –Hector Berlioz | Le Corsaire (Ouverture) | 8:10 |
| 10-8 | –Hector Berlioz | Les Francs-Juges (Ouverture) | 11:37 |
| Le Sacre Du Printemps | |||
| –Igor Stravinsky | Première Partie: L'Adoration De La Terre | ||
| 11-1 | – | Introduction | 3:32 |
| 11-2 | – | Les Augures Printaniers -- Danses Des Adolescents | 3:15 |
| 11-3 | – | Jeu Du Rapt | 1:21 |
| 11-4 | – | Rondes Printanières | 3:44 |
| 11-5 | – | Jeux Des Cités Rivales | 1:51 |
| 11-6 | – | Cortège Du Sage | 0:42 |
| 11-7 | – | Le Sage | 0:21 |
| 11-8 | – | Danse De La Terre | 1:10 |
| –Igor Stravinsky | Seconde Partie: Le Sacrifice | ||
| 11-9 | – | Introduction | 4:30 |
| 11-10 | – | Cercles Mystérieux Des Adolescents | 3:32 |
| 11-11 | – | Glorification De L'Élue | 1:38 |
| 11-12 | – | Évocation Des Ancêtres | 0:43 |
| 11-13 | – | Action Rituelle Des Ancêtres | 3:51 |
| 11-14 | – | Danse Sacrale: L'Élue | 4:46 |
| - | |||
| 11-15 | –Igor Stravinsky | Symphonies Of Wind Instruments (Original Version, 1920) | 9:05 |
| 12-1 | –Franz von Suppé | Leichte Kavallerie (Ouvertüre) | 7:04 |
| 12-2 | –Franz von Suppé | Fatinitza (Ouvertüre) | 7:37 |
| 12-3 | –Franz von Suppé | Ein Morgen, Ein Mittag Und Ein Abend In Wien (Ouvertüre) Cello – Guy Fouquet |
8:29 |
| 12-4 | –Franz von Suppé | Banditenstreiche (Ouvertüre) | 7:17 |
| 12-5 | –Franz von Suppé | Die Schöne Galathée (Ouvertüre) | 7:17 |
| 12-6 | –Franz von Suppé | Dichter Und Bauer (Ouvertüre) Cello – Guy Fouquet |
10:09 |
| 12-7 | –Franz von Suppé | Pique Dame (Ouvertüre) | 8:30 |
| L'Oiseau De Feu | |||
| 13-1 | –Igor Stravinsky | Introduction | 2:43 |
| –Igor Stravinsky | Premier Tableau | ||
| 13-2 | – | Le Jardin Enchanté De Kachtcheï | 1:51 |
| 13-3 | – | Apparition De L'Oiseau De Feu Poursuivi Par Ivan Tsarévitch | 2:15 |
| 13-4 | – | Danse De L'Oiseau De Feu | 1:24 |
| 13-5 | – | Capture De L'Oiseau De Feu Par Ivan Tsarévitch | 0:51 |
| 13-6 | – | Supplications De L'Oiseau De Feu -- Apparition Des Treize Princesses Enchantées | 7:51 |
| 13-7 | – | Jeu Des Princesses Avec Les Pommes D'Or | 2:29 |
| 13-8 | – | Brusque Apparition D'Ivan Tsarévitch | 1:30 |
| 13-9 | – | Khorovod (Ronde) Des Princesses | 4:42 |
| 13-10 | – | Lever Du Jour -- Ivan Tsarévitch Pénètre Dans Le Palais De Kachtcheï | 1:29 |
| 13-11 | – | Carillon Féerique -- Apparition Des Monstres-Gardiens De Kachtcheï -- Capture D'Ivan Tsarévitch -- Intercession Des Princesses | 5:14 |
| 13-12 | – | Danse De La Suite De Kachtcheï Enchantée Par L'Oiseau De Feu | 0:47 |
| 13-13 | – | Danse Infernale De Tous Les Sujets De Kachtcheï | 4:40 |
| 13-14 | – | Berceuse (L'Oiseau De Feu) -- Réveil De Kachtcheï -- Mort De Kachtcheï -- Profonds Ténèbres | 5:36 |
| –Igor Stravinsky | Second Tableau | ||
| 13-15 | – | Disparition Du Palais Et Des Sortilèges De Kachtcheï -- Animation Des Chevaliers Pétrifiés -- Allégresse Générale | 3:10 |
| - | |||
| 13-16 | –Igor Stravinsky | Scherzo Fantastique, Op. 3 | 12:03 |
| 13-17 | –Igor Stravinsky | Feu D'Artifice, Op. 4 | 3:55 |
| 14-1 | –Modest Mussorgsky | Khovanshchina -- PreludeOrchestrated By – Nikolai Rimsky-Korsakov |
5:35 |
| 14-2 | –Modest Mussorgsky | Night On The Bare MountainArranged By – Nikolai Rimsky-Korsakov |
11:02 |
| 14-3 | –Nikolai Rimsky-Korsakov | Russian Easter Festival Overture | 14:49 |
| –Modest Mussorgsky | Pictures At An ExhibitionOrchestrated By – Maurice Ravel |
||
| 14-4 | – | Promenade -- Gnomus | 3:58 |
| 14-5 | – | Promenade -- Il Vecchio Castello | 5:50 |
| 14-6 | – | Promenade -- Tuileries | 1:34 |
| 14-7 | – | Bydlo -- Promenade | 3:26 |
| 14-8 | – | Ballet Of The Unhatched Chicks | 1:12 |
| 14-9 | – | Samuel Goldenberg Und Schmuyle | 2:13 |
| 14-10 | – | Limoges: Le Marché | 1:28 |
| 14-11 | – | Catacombae: Cum Mortuis In Lingua Mortua | 3:56 |
| 14-12 | – | The Hut On Fowl's Legs (Baba Yaga) | 3:24 |
| 14-13 | – | The Great Gate Of Kiev | 5:46 |
| –Felix Mendelssohn-Bartholdy | Overture, Op. 21, And Incidental Music, Op. 61, From "A Midsummer Night's Dream" | ||
| 15-1 | – | I. Overture | 12:26 |
| 15-2 | – | II. Scherzo | 4:32 |
| 15-3 | – | III. Intermezzo | 3:29 |
| 15-4 | – | IV. Nocturne | 6:38 |
| 15-5 | – | V. Wedding March | 5:01 |
| 15-6 | –Felix Mendelssohn-Bartholdy | Overture "The Hebrides," Op. 26 | 10:06 |
| 15-7 | –Felix Mendelssohn-Bartholdy | Overture "The Fair Melusine," Op. 32 | 11:09 |
| 15-8 | –Felix Mendelssohn-Bartholdy | Overture "Ruy Blas," Op. 95 | 7:27 |
| –Gustav Holst | The Planets, H125Chorus – Le Choeur Des Femmes De L'Orchestre Symphonique De Montréal |
(52:33) | |
| 16-1 | – | I. Mars, The Bringer Of War | 7:09 |
| 16-2 | – | II. Venus, The Bringer Of Peace | 9:36 |
| 16-3 | – | III. Mercury, The Winged Messenger | 3:59 |
| 16-4 | – | IV. Jupiter, The Bringer Of Jollity | 8:01 |
| 16-5 | – | V. Saturn, The Bringer Of Old Age | 9:51 |
| 16-6 | – | VI. Uranus, The Magician | 6:01 |
| 16-7 | – | VII. Neptune, The Mystic | 7:56 |
| –Igor Stravinsky | Pétrouchka (Version De 1911)Cornet – James ChompsonFlute – Timothy HutchinsPiano – Armas MaisteTrumpet – Robert EarlyTuba – Ellis Wean |
||
| 17-1 | – | Tableau 1: Fête Populaire De La Semaine Grasse | 9:56 |
| 17-2 | – | Tableau 2: Chez Pétrouchka | 4:21 |
| 17-3 | – | Tableau 3: Chez Le Maure | 6:56 |
| 17-4 | – | Tableau 4: Fête Populaire De La Semaine Grasse, Vers Le Soir | 13:21 |
| –Igor Stravinsky | Le Chant De Rossignol | ||
| 17-5 | – | Introduction (Presto) | 2:10 |
| 17-6 | – | Marche Chinoise | 6:44 |
| 17-7 | – | Jeu De Rossignol Mécanique | 11:56 |
| –Igor Stravinsky | Quatre Études | ||
| 17-8 | – | I. Danse | 0:54 |
| 17-9 | – | II. Excentrique | 2:14 |
| 17-10 | – | III. Cantique | 4:00 |
| 17-11 | – | IV. Madrid | 2:36 |
| –Georges Bizet | L'Arlésienne, Suite No. 1Saxophone – Gilles Moisan |
||
| 18-1 | – | Prélude | 6:54 |
| 18-2 | – | Minuetto | 3:12 |
| 18-3 | – | Adagietto | 3:10 |
| 18-4 | – | Carillon | 4:32 |
| –Georges Bizet | L'Arlésienne, Suite No. 2Arranged By – Ernest GuiraudFlute – Timothy HutchinsHarp – Dorothy Masella*Saxophone – Gilles Moisan |
||
| 18-5 | – | Pastorale | 5:47 |
| 18-6 | – | Intermezzo | 4:41 |
| 18-7 | – | Menuet | 4:25 |
| 18-8 | – | Farandole | 3:21 |
| –Georges Bizet | Carmen, Suite No. 1Arranged By – Fritz HoffmannFlute – Robert LangevinHarp – Dorothy Masella* |
||
| 18-9 | – | Prélude -- Aragonaise | 3:34 |
| 18-10 | – | Intermezzo | 2:35 |
| 18-11 | – | Séguedille | 1:56 |
| 18-12 | – | Les Dragons D'Alcala | 1:53 |
| 18-13 | – | Les Toréadors | 2:10 |
| –Georges Bizet | Carmen, Suite No. 2Arranged By – Fritz HoffmannTrumpet, Cornet – Robert EarlyViolin – Richard Roberts |
||
| 18-14 | – | Marche Des Contrebandiers | 4:41 |
| 18-15 | – | Habanera | 2:05 |
| 18-16 | – | Nocturne | 5:57 |
| 18-17 | – | Chanson Du Toréador | 2:31 |
| 18-18 | – | La Garde Montante | 3:45 |
| 18-19 | – | Danse Bohème | 4:45 |
| –Gabriel Fauré | Requiem, Op. 48Baritone Vocals – Sherrill MilnesSoprano Vocals – Kiri Te Kanawa |
||
| 19-1 | – | I. Introït Et Kyrie ("Requiem Aeternam ... Kyrie") | 7:27 |
| 19-2 | – | II. Offertoire ("Domine, Jesu Christe") | 8:56 |
| 19-3 | – | III. Sanctus | 3:01 |
| 19-4 | – | IV. Pie Jesu | 3:42 |
| 19-5 | – | V. Agnus Dei | 6:03 |
| 19-6 | – | VI. Libera Me | 5:20 |
| 19-7 | – | VII. In Paradisum | 3:14 |
| –Gabriel Fauré | Pelléas Et Mélisande -- Suite, Op. 80 | ||
| 19-8 | – | Prélude: Quasi Adagio | 7:14 |
| 19-9 | – | Andantino Quasi Allegretto | 2:38 |
| 19-10 | – | Sicilienne: Allegro Molto Moderato | 3:52 |
| 19-11 | – | Molto Adagio | 4:36 |
| 19-12 | –Gabriel Fauré | Pavane Pour Orchestre Avec Chœur, Op. 50Choir – Chœurs de L'Orchestre Symphonique de MontréalChorus Master – Iwan EdwardsText By – Robert de Montesquiou |
6:43 |
| –Béla Bartók | Concerto For Orchestra, BB 123 | ||
| 20-1 | – | I. Introduzione: Andante Non Troppo -- Allegro Vivace | 10:13 |
| 20-2 | – | II. Giuoco Delle Coppie: Allegretto Scherzando | 6:37 |
| 20-3 | – | III. Elegia: Andante, Non Troppo | 7:39 |
| 20-4 | – | IV. Intermezzo Interrotto: Allegretto | 4:17 |
| 20-5 | – | V. Finale: Pesante -- Presto | 9:30 |
| –Béla Bartók | Music For Strings, Percussion And Celesta, BB 114 | ||
| 20-6 | – | I. Andante Tranquillo | 8:23 |
| 20-7 | – | II. Allegro | 7:22 |
| 20-8 | – | III. Adagio | 7:49 |
| 20-9 | – | IV. Allegro Molto | 7:16 |
| Fête À La Française | |||
| 21-1 | –Emmanuel Chabrier | Joyeuse Marche | 3:51 |
| 21-2 | –Paul Dukas | L'Apprenti Sorcier | 11:33 |
| 21-3 | –Emmanuel Chabrier | España (Rhapsody For Orchestra) | 6:20 |
| –Erik Satie | Deux GymnopédiesOrchestrated By – Claude Debussy |
||
| 21-4 | – | I. Lent Et Grave (Satie No. 1) | 2:51 |
| 21-5 | – | II. Lent Et Douloureux (Satie No. 3) | 3:30 |
| 21-6 | –Camille Saint-Saëns | Air Et Danse Bacchanale (Samson Et Dalila) | 7:06 |
| –Georges Bizet | Petite Suite D'Orchestre (Jeux D'Enfants Nos. 2, 3, 6, 11, 12)Orchestrated By – Georges Bizet |
||
| 21-7 | – | I. Marche (Trompette Et Tambour) | 2:12 |
| 21-8 | – | II. Berceuse (La Poupée) | 2:33 |
| 21-9 | – | III. Impromptu (La Toupie) | 1:00 |
| 21-10 | – | IV. Duo (Petit Mari, Petite Femme) | 3:32 |
| 21-11 | – | V. Galop (Le Bal) | 1:50 |
| 21-12 | –Ambroise Thomas | Ouverture "Raymond" | 8:07 |
| –Jacques Ibert | Divertissement | ||
| 21-13 | – | I. Introduction | 1:05 |
| 21-14 | – | II. Cortège | 4:54 |
| 21-15 | – | III. Nocturne | 2:35 |
| 21-16 | – | IV. Valse | 3:01 |
| 21-17 | – | V. Parade | 1:43 |
| 21-18 | – | VI. Finale | 1:50 |
| - | |||
| Images Pour Orchestre | |||
| 22-1 | –Claude Debussy | GiguesOboe d'Amore – Margaret Morse |
7:29 |
| –Claude Debussy | Ibéria | ||
| 22-2 | – | I. Par Les Rues Et Par Les Chemins | 7:21 |
| 22-3 | – | II. Les Parfums De La Nuit | 8:16 |
| 22-4 | – | III. Le Matin D'Un Jour De Fête | 4:25 |
| 22-5 | –Claude Debussy | Rondes De Printemps | 7:31 |
| - | |||
| –Claude Debussy | Trois Nocturnes | ||
| 22-6 | – | NuagesCor Anglais – Pierre V. Plante* |
7:49 |
| 22-7 | – | Fêtes | 6:17 |
| 22-8 | – | SirènesChorus – Le Choeur Des Femmes De L'Orchestre Symphonique De MontréalChorus Master – Iwan Edwards |
10:47 |
| –Claude Debussy | La Mer | ||
| 23-1 | – | I. De L'Aube À Midi Sur La Mer | 8:49 |
| 23-2 | – | II. Jeux De Vagues | 6:11 |
| 23-3 | – | III. Dialogue Du Vent Et De La Mer | 7:57 |
| 23-4 | –Claude Debussy | Jeux (Poème Dansé) | 17:24 |
| –Claude Debussy | Le Martyre De Saint Sébastien (Fragments Symphoniques) | ||
| 23-5 | – | I. La Cour Des Lys | 3:48 |
| 23-6 | – | II. Danse Extatique Et Final Du Premier Acte | 7:16 |
| 23-7 | – | III. La Passion | 6:20 |
| 23-8 | – | IV. Le Bon Pasteur | 6:40 |
| 23-9 | –Claude Debussy | Prélude À L'Après-Midi D'Un Faune | 10:44 |
| –César Franck | Symphonie En Ré Mineur | ||
| 24-1 | – | I. Lento -- Allegro Non Troppo | 18:45 |
| 24-2 | – | II. Allegretto | 10:41 |
| 24-3 | – | III. Allegro Non Troppo | 10:22 |
| –Vincent d'Indy | Symphonie Sur Un Chant Montagnard Français, Op. 25 (Symphonie Cévenole)Piano – Jean-Yves Thibaudet |
||
| 24-4 | – | I. Assez Lent -- Modérément Animé | 11:52 |
| 24-5 | – | II. Assez Modéré, Mais Sans Lenteur | 7:24 |
| 24-6 | – | III. Animé | 7:30 |
| Swan Lake, Op. 20 | |||
| –Pyotr Ilyich Tchaikovsky | Acte UnCornet – James Thompson Harp – Dorothy Weldon Masella |
||
| 25-1 | – | No. 1 - Scène (Allegro Giusto) | 5:44 |
| 25-2 | – | No. 2 - Valse (Tempo Di Valse) | 7:30 |
| 25-3 | – | No. 3 - Scène (Allegro Moderato) | 4:14 |
| 25-4 | – | No. 4 - Pas De Trois | 11:06 |
| 25-5 | – | No. 5 - Pas De DeuxViolin – Chantal Juillet |
10:43 |
| 25-6 | – | No. 6 - Pas D'Action (Andantino Quasi Moderato -- Allegro) | 3:08 |
| 25-7 | – | No. 7 - Sujet | 0:46 |
| 25-8 | – | No. 8 - Danse Des Coupes (Tempo Di Polacca) | 5:25 |
| 25-9 | – | No. 9 - Finale (Andante) | 2:53 |
| –Pyotr Ilyich Tchaikovsky | Acte Deux | ||
| 25-10 | – | No. 10 - Scène (Moderato) | 2:55 |
| 25-11 | – | No. 11 - Scène (Allegro Moderato -- Moderato -- Allegro Vivo) | 5:24 |
| 25-12 | – | No. 12 - Scène (Allegro -- Moderato Assai Quasi Andante) | 3:22 |
| 25-13 | – | No. 13 - Danses Des CygnesCello – Guy FouquetViolin – Chantal Juillet |
14:39 |
| –Pyotr Ilyich Tchaikovsky | Acte Trois | ||
| 26-1 | – | No. 15 - Allegro Giusto | 2:31 |
| 26-2 | – | No. 16 - Danses Du Corps De Ballet Et Des Nains (Moderato Assai -- Allegro Vivo) | 5:24 |
| 26-3 | – | No. 17 - Scène. Sortie Des Invités Et Valse (Allegro -- Tempo Di Valse) | 8:11 |
| 26-4 | – | No. 18 - Scène (Allegro -- Allegro Giusto) | 1:39 |
| 26-5 | – | No. 19 - Pas De Six | 13:06 |
| 26-6 | – | Numéro Supplémentaire: Pas De DeuxCello – Guy Fouquet |
8:15 |
| 26-7 | – | No. 20 - Danse Hongroise. Czardas | 2:56 |
| 26-8 | – | No. 20a - Numéro Supplémentaire: Danse RusseCello – Guy Fouquet |
4:33 |
| 26-9 | – | No. 21 - Danse Espagnole (Allegro Non Troppo. Tempo Di Bolero) | 2:49 |
| 26-10 | – | No. 22 - Danse Napolitaine | 2:11 |
| 26-11 | – | No. 23 - Mazurka (Tempo Di Mazurka) | 4:15 |
| 26-12 | – | No. 24 - Scène (Allegro -- Valse -- Allegro Vivo) | 3:25 |
| –Pyotr Ilyich Tchaikovsky | Acte Quatre | ||
| 26-13 | – | No. 25 - Entr'Acte (Moderato) | 1:55 |
| 26-14 | – | No. 26 - Scène (Allegro Non Troppo) | 2:02 |
| 26-15 | – | No. 27 - Danses Des Petits Cygnes (Moderato) | 5:28 |
| 26-16 | – | No. 28 - Scène (Allegro Agitato -- Molto Meno Mosso -- Allegro Vivace | 3:12 |
| 26-17 | – | No. 29 - Scène Finale (Andante -- Allegro Agitato -- Alla Breve. Moderato E Maestoso - Moderato) | 6:44 |
| - | |||
| The Nutcracker, Op. 71 | |||
| 27-1 | –Pyotr Ilyich Tchaikovsky | Ouverture | 3:15 |
| –Pyotr Ilyich Tchaikovsky | Act One, Scene 1 - Premiere Tableau | ||
| 27-2 | – | No. 1: Scène -- L'Arbre De Noël | 3:58 |
| 27-3 | – | No. 2 - Marche | 2:26 |
| 27-4 | – | No. 3 - Petit Galop Des Enfants Et Entrée Des Parents | 2:24 |
| 27-5 | – | No. 4: Scène Dansante -- L'Entrée De Drosselmeyer Et La Distribution Des Jouets | 5:41 |
| 27-6 | – | No. 5: Scène -- La Présentation Du Casse-Noisette, Danse Großvater | 7:08 |
| 27-7 | – | No. 6: Scène -- Le Départ Des Invités - La Nuit | 6:32 |
| 27-8 | – | No. 7: Scène -- La Bataille | 3:19 |
| –Pyotr Ilyich Tchaikovsky | Act One, Scene Two - Second Tableau | ||
| 27-9 | – | No. 8: Scène -- Une Forêt De Sapins En Hiver | 3:35 |
| 27-10 | – | No. 9 - Valse Des Flocons De NeigeChorus – Choeurs d'enfants de l'école FACEChorus Master – Iwan Edwards |
6:37 |
| –Pyotr Ilyich Tchaikovsky | Act Two | ||
| 27-11 | – | No. 10: Scène -- Le Palais Enchanté Du Royaume Des Douceurs | 4:20 |
| 27-12 | – | No. 11: Scène -- L'Arrivée De Clara Et Casse-Noisette | 4:46 |
| 27-13 | – | No. 12 - Divertissement: a) Le Chocolate (Danse Espagnole) | 1:17 |
| 27-14 | – | b) Le Café (Danse Arabe) | 3:16 |
| 27-15 | – | c) Le Thé (Danse Chinoise) | 1:09 |
| 27-16 | – | d) Trépak (Danse Russe) | 1:08 |
| 27-17 | – | e) Danse Des Mirlitons | 2:24 |
| 27-18 | – | f) La Mère Cigogne Et Les Polichinelles | 2:51 |
| 28-1 | – | No. 13 - Valse Des Fleurs | 6:50 |
| 28-2 | – | No. 14: Pas De Deux -- Le Prince Et La Fée Dragée (Var. 1 - Tarantella) | 5:42 |
| 28-3 | – | (Var. 2 - Danse De La Fée Dragée); Coda | 3:44 |
| 28-4 | – | No. 15 - Valse Finale Et Apothéose | 5:24 |
| - | |||
| –Pyotr Ilyich Tchaikovsky | The Sleeping Beauty, Op. 66 - Aurora's Wedding | ||
| 28-5 | – | Introduction (Prologue): [Allegro Vivo -- Andante] | 4:04 |
| 28-6 | – | Polacca (Act III, No. 22): [Allegro Moderato E Brilliante] | 5:08 |
| 28-7 | – | Pas De Six (Prologue No. 3): [Adagio -- Andante -- Allegro Vivo] | 4:14 |
| 28-8 | – | Var. 1 - Candite (Allegro Moderato) | 0:50 |
| 28-9 | – | Var. 2 - Coulante. Fleur De Farine (Allegro) | 0:31 |
| 28-10 | – | Var. 3 - Miettes De Tombent (Allegro Moderato) | 0:52 |
| 28-11 | – | Var. 4 - Canari Que Chante (Moderato) | 0:28 |
| 28-12 | – | Var. 5 - Violente (Allegro Molto Vivace) | 1:03 |
| 28-13 | – | Var. 6 - La Fée Des Lilas (Tempo Di Valse) | 1:05 |
| 28-14 | – | Scène: (Act II, No. 12): [Moderato] | 1:01 |
| 28-15 | – | b) Danse Des Duchesses (Moderato Con Moto. Tempo Di Minuetto) | 0:58 |
| 28-16 | – | e) Danse Des Marquises (Allegro Non Troppo) | 0:48 |
| 28-17 | – | Farandole (Act II, No. 13): a) Scène [Poco Più Vivo] | 0:16 |
| 28-18 | – | b) Danse (Allegro Non Troppo. Tempo Di Mazurka) | 1:20 |
| 28-19 | – | Pas De Quatre (Act III, No. 23): [Allegro Non Tanto] | 1:40 |
| 28-20 | – | Pas De Charactère (Act III, No. 26): [Allegro Moderato] | 1:25 |
| 28-21 | – | Pas De Quatre (Act III, No. 25): [Adagio] | 1:49 |
| 28-22 | – | Var. 1 (Cendrillon Et Fortuné): [Allegro. Tempo Di Valse] | 1:03 |
| 28-23 | – | Var. 2 (L'Oiseau Bleu Et La Princesse Florine): [Andantino] | 0:42 |
| 28-24 | – | Coda (Presto) | 1:24 |
| 28-25 | – | Coda (Act III, No. 28): [Allegro Vivace] | 1:17 |
| 28-26 | – | Pas De Deux (Aurora Et Désirée) [Act III, No. 28]: {Allegretto} | 0:10 |
| 28-27 | – | Entrée (Allegro Moderato) | 1:37 |
| 28-28 | – | Adagio (Andante Non Troppo) | 4:18 |
| 28-29 | – | Finale (Act III, No. 30): [Allegro Brilliante. Tempo Di Mazurka] | 6:23 |
| 28-30 | – | Apothéose (Andante Molto Maestoso) | 2:26 |
| –Jacques Ibert | Escales ... | ||
| 29-1 | – | I. Rome -- Palerme (Calme) | 6:23 |
| 29-2 | – | II. Tunis -- Nefta (Modéré, Très Rythmé) | 2:40 |
| 29-3 | – | III. Valencia (Animé) | 5:27 |
| –Jacques Ibert | Concerto For Flute & OrchestraFlute – Timothy Hutchins |
||
| 29-4 | – | I. Allegro | 4:37 |
| 29-5 | – | II. Andante | 7:01 |
| 29-6 | – | III. Allegro Scherzando | 7:59 |
| 29-7 | –Jacques Ibert | Hommage À Mozart | 4:37 |
| –Jacques Ibert | Paris -- Suite Symphonique | ||
| 29-8 | – | I. Le Métro | 1:59 |
| 29-9 | – | II. Faubourgs | 2:33 |
| 29-10 | – | III. La Mosquée De Paris | 1:34 |
| 29-11 | – | IV. Restaurant Au Bois De Boulogne | 3:15 |
| 29-12 | – | V. Le Paquebot "Ile-De-France" | 1:58 |
| 29-13 | – | VI. Parade Foraine | 1:34 |
| 29-14 | –Jacques Ibert | Bacchanale | 8:21 |
| 29-15 | –Jacques Ibert | Bostoniana | 6:17 |
| 29-16 | –Jacques Ibert | Louisville-Concert | 11:45 |
| –Claude Debussy | Printemps Orchestrated By – Henri Busser* |
||
| 30-1 | – | Très Modéré | 9:42 |
| 30-2 | – | Modéré | 6:18 |
| –Claude Debussy | La Boîte À Joujoux Orchestrated By – André Caplet |
||
| 30-3 | – | Prélude: Le Sommeil De La Boîte | 2:30 |
| 30-4 | – | I. Le Magasin De Jouets | 11:25 |
| 30-5 | – | II. Le Champ De Bataille | 9:11 |
| 30-6 | – | III. La Bergerie À Vendre | 6:46 |
| 30-7 | – | IV. Après Fortune Faite | 1:51 |
| 30-8 | – | V. ÉpilogueCor Anglais – Pierre-Vincent Plante |
1:17 |
| –Claude Debussy | Children's Corner Orchestrated By – André Caplet |
||
| 30-9 | – | I. Doctor Gradus Ad Parnassum | 2:36 |
| 30-10 | – | II. Jimbo's Lullaby | 3:53 |
| 30-11 | – | III. Serenade For The Doll | 2:40 |
| 30-12 | – | IV. The Snow Is Dancing | 2:43 |
| 30-13 | – | V. The Little Shepherd | 2:46 |
| 30-14 | – | VI. Golliwogg's Cake-WalkOboe – Theodore Baskin |
2:52 |
| 30-15 | –Claude Debussy | La Plus Que Lente Cimbalom – James Earl BarnesOrchestrated By – Claude Debussy |
5:20 |
| 31-1 | –Georges Bizet | Ouverture Score Editor – Antonio d'Almeida* |
13:26 |
| –Georges Bizet | Scènes Bohémiennes (Suite From "La Jolie Fille De Perth") | ||
| 31-2 | – | I. Prélude | 4:14 |
| 31-3 | – | II. Sérénade | 2:08 |
| 31-4 | – | III. Marche | 3:14 |
| 31-5 | – | IV. Danse Bohémienne | 3:01 |
| –Georges Bizet | Symphony In C Major | ||
| 31-6 | – | I. Allegro Vivo | 7:46 |
| 31-7 | – | II. AdagioOboe – Theodore Baskin |
10:01 |
| 31-8 | – | III. Allegro Vivace/Trio | 5:52 |
| 31-9 | – | IV. Allegro Vivace | 8:55 |
| 31-10 | –Georges Bizet | Patrie |
12:33 |
| Carmina Burana (Cantiones Profanae Cantoribus Et Choris Cantandae Comitantibus Instrumentis Atque Imaginibus Magicis) | |||
| –Carl Orff | Fortuna Imperatrix MundiChorus – Chœurs de L'Orchestre Symphonique de MontréalChorus Master – Iwan Edwards |
||
| 32-1 | – | O Fortuna | 2:39 |
| 32-2 | – | Fortune Plango Vulnera | 2:38 |
| –Carl Orff | I. Primo Vere | ||
| 32-3 | – | Veris Leta Facies | 3:54 |
| 32-4 | – | Omnia Sol TemperatBaritone Vocals – Mark Oswald |
2:18 |
| 32-5 | – | Ecce Gratum | 2:46 |
| –Carl Orff | Uf Dem Anger | ||
| 32-6 | – | Tanz | 1:42 |
| 32-7 | – | Floret Silva Nobilis | 3:13 |
| 32-8 | – | Chramer, Gip Die Varwe Mir | 3:17 |
| 32-9 | – | Reie | 4:26 |
| 32-10 | – | Were Diu Werlt Alle Min | 0:53 |
| –Carl Orff | II. In Taberna | ||
| 32-11 | – | Estuans InteriusBaritone Vocals – Mark Oswald |
2:22 |
| 32-12 | – | Olim Lacus ColueramTenor Vocals – Stanford Olsen |
3:16 |
| 32-13 | – | Ego Sum AbbasBaritone Vocals – Mark Oswald |
1:39 |
| 32-14 | – | In Taberna Quando Sumus | 2:52 |
| –Carl Orff | III. Cour D'Amours | ||
| 32-15 | – | Amor Volat UndiqueChorus – FACE Treble ChoirSoprano Vocals – Beverly Hoch |
3:09 |
| 32-16 | – | Dies, Nox Et OmniaBaritone Vocals – Mark Oswald |
2:20 |
| 32-17 | – | Stetit PuellaSoprano Vocals – Beverly Hoch |
1:55 |
| 32-18 | – | Circa Mea PectoraBaritone Vocals – Mark Oswald |
2:02 |
| 32-19 | – | Si Puer Cum Puellela | 0:57 |
| 32-20 | – | Veni, Veni, Venias | 0:59 |
| 32-21 | – | In TrutinaSoprano Vocals – Beverly Hoch |
2:26 |
| 32-22 | – | Tempus Est IocundumBaritone Vocals – Mark Oswald Chorus – FACE Treble ChoirSoprano Vocals – Beverly Hoch |
2:25 |
| 32-23 | – | DulcissimeSoprano Vocals – Beverly Hoch |
0:44 |
| –Carl Orff | Blanziflor Et Helena | ||
| 32-24 | – | Ave, Formosissima | 1:35 |
| –Carl Orff | Fortuna Imperatrix Mundi | ||
| 32-25 | – | O Fortuna | 2:47 |
| - | |||
| 33-1 | –Franz Liszt | Hungarian Rhapsody No. 2 In D Minor, S359 No.2Arranged By – Karl Müller-Berghaus |
10:50 |
| 33-2 | –Antonín Dvořák | Slavonic Rhapsody No. 3 In A-Flat Major, Op. 45 No.3 | 14:07 |
| 33-3 | –Hugo Alfvén | Swedish Rhapsodie No. 1, Op. 19 "Midsommarvaka" | 11:38 |
| 33-4 | –George Enescu | Roumanian Rhapsody In A Major, Op. 11 No.1 | 12:21 |
| –Alexander Glazunov | Rhapsodie Orientale, Op. 29 | ||
| 33-5 | – | I. Andante | 4:32 |
| 33-6 | – | II. Presto | 4:48 |
| 33-7 | – | III. Andante (A Capriccio) | 4:47 |
| 33-8 | – | IV. Moderato Alla Marcia | 2:36 |
| 33-9 | – | V. Finale -- Allegro | 4:31 |
| 34-1 | –Astor Piazzolla | Adiós NoninoBandoneon – Daniel Binelli |
8:50 |
| 34-2 | –Astor Piazzolla | Milonga Del ÁngelBandoneon – Daniel Binelli |
7:41 |
| –Astor Piazzolla | Double Concerto For Bandoneon And GuitarBandoneon – Daniel BinelliGuitar – Eduardo Isaac |
||
| 34-3 | – | I. Introducción | 4:37 |
| 34-4 | – | II. Milonga | 5:47 |
| 34-5 | – | III. Tango | 6:32 |
| 34-6 | –Astor Piazzolla | OblivionBandoneon – Daniel BinelliOboe – Louise Pellerin* |
4:40 |
| –Astor Piazzolla | Tres Movimientos Tanguísticos Porteños | ||
| 34-7 | – | I. Allegretto | 8:14 |
| 34-8 | – | II. Moderato | 7:59 |
| 34-9 | – | III. Vivace | 4:30 |
| 34-10 | –Astor Piazzolla | Danza Criolla | 2:23 |
| 34-11 | –Astor Piazzolla | Tangazo | 14:10 |
| 35-1 | –Mikis Theodorakis | Adagio For Solo Flute, String Orchestra And PercussionFlute – Kenneth Smith Orchestra – Philharmonia Orchestra |
3:48 |
| –Mikis Theodorakis | Zorbas -- Suite-Ballet Chorus – Chœurs de L'Orchestre Symphonique de Montréal |
||
| 35-2 | – | Scène 11: Le Retour De Zorbas | 3:07 |
| 35-3 | – | Scène 14: Petite ÉtoileMezzo-soprano Vocals – Ionna Forti |
3:16 |
| 35-4 | – | Scène 15: MarinaMezzo-soprano Vocals – Ionna Forti |
6:33 |
| 35-5 | – | Scène 16: Le Meurtre De La Veuve | 5:15 |
| 35-6 | – | Scène 17: La Danse De Hassapiko | 3:16 |
| 35-7 | – | Scène 18: La Mort De Hortense | 3:04 |
| 35-8 | – | Scène 21: Danse De Zorbas Et Scène 22 | 7:03 |
| 35-9 | – | Scène 23 | 2:14 |
| –Mikis Theodorakis | Carnaval -- Suite-BalletOrchestra – Philharmonia Orchestra |
||
| 35-10 | – | Danse Des Hommes | 3:13 |
| 35-11 | – | Danse De La Jeune Fille | 2:50 |
| 35-12 | – | Danse D'Amour | 6:44 |
Companies, etc.
- Phonographic Copyright (p) – Decca Music Group Limited
- Copyright (c) – Decca Music Group Limited
- Pressed By – EDC, Germany
- Recorded At – Saint Eustache Church
- Recorded At – Watford Colosseum
Credits
- Conductor – Charles Dutoit
- Directed By [Editorial], Art Direction – WLP Ltd.
- Engineer [Balance] – Colin Moorfoot, James Lock , Simon Eadon, Stanley Goodall
- Engineer [Balance], Engineer [Recording] – John Dunkerley, Philip Siney
- Engineer [Recording] – Duncan Mitchell, Graham Kirby*, Jonathan Stokes, Martin Atkinson, Roger de Schot
- Liner Notes – Andrew Stewart
- Liner Notes [Translation] – Dennis Collins , Isabelle Battioni
- Orchestra – The Montréal Symphony Orchestra*
- Photography By – Christian Steiner , G. Fortin, Jim Steere, John Harquail, Julian Broad, Phil Sayer, Vivianne Purdom
- Producer – Andrew Cornall, Chris Hazell, Chris Pope , Michael Woolcock, Paul Myers
- Producer, Liner Notes – Ray Minshull
- Remastered By – The Audio Archiving Company, Ltd.* (tracks: CD's 2, 3, 6, 10, 11)
Notes
35-CD, limited edition box set released by Decca in 2016, representing twenty years of orchestral recordings of works by a myriad of classical composers, all performed by The Montréal Symphony Orchestra, and various soloists, under the baton of Charles Dutoit. (The box also features a couple of 2004 recordings by the Philharmonia Orchestra on CD 35, also under Dutoit.) The packaging features individual sleeves for each CD (with the exception of CD's 25-28, which are each 2-CD sets and therefore come in gatefold sleeves!) with covers that replicate the original CD booklets, all housed within a red slipcase box; and a 96-page booklet with detailed track listings for all 35 CD's, liner notes by Ray Minshull and Andrew Stewart , translated by Isabelle Battioni and Dennis Collins , technical information, and many photos of the composer, orchestra, and featured soloists, all taken by the various photographers listed in the Credits section. (The actual title of this release has been taken from the interior pages of the booklet, as the box artwork simply gives the title as "Dutoit Montréal.")Barcode and Other Identifiers
- Barcode: 0 28947 89466 7
- Matrix / Runout (CD 1): 00289 478 946-7 01 * 53853342
- Matrix / Runout (CD 2): 00289 478 946-8 01 * 53867651
- Matrix / Runout (CD 3): 00289 478 947-2 01 + 53867653
- Matrix / Runout (CD 4): 00289 478 946-9 01 * 53867655
- Matrix / Runout (CD 5): 00289 478 947-0 01 + 53853340
- Matrix / Runout (CD 6): 00289 478 947-1 01 * 53850750
- Matrix / Runout (CD 7): 00289 478 947-3 01 + 53852611
- Matrix / Runout (CD 8): 00289 478 947-4 01 * 53850738
- Matrix / Runout (CD 9): 00289 478 948-9 01 + 53852609
- Matrix / Runout (CD 10): 00289 478 947-5 02 + 53867649
- Matrix / Runout (CD 11): 00289 478 947-6 01 + 53867657
- Matrix / Runout (CD 12): 00289 478 947-7 02 + 53850736
- Matrix / Runout (CD 13): 00289 478 947-8 02 # 53850740
- Matrix / Runout (CD 14): 00289 478 948-2 01 + 53850748
- Matrix / Runout (CD 15): 00289 478 948-0 01 * 53850744
- Matrix / Runout (CD 16): 00289 478 947-9 01 * 53850742
- Matrix / Runout (CD 17): 00289 478 948-1 01 * 53850746
- Matrix / Runout (CD 18): 00289 478 948-3 01 + 53850752
- Matrix / Runout (CD 19): 00289 478 948-4 01 + 53850754
- Matrix / Runout (CD 20): 00289 478 950-1 01 + 53850756
- Matrix / Runout (CD 21): 00289 478 948-5 01 + 53852220
- Matrix / Runout (CD 22): 00289 478 948-6 01 + 53853332
- Matrix / Runout (CD 23): 00289 478 948-7 01 + 53853334
- Matrix / Runout (CD 24): 00289 478 948-8 01 + 53852222
- Matrix / Runout (CD 25): 00289 478 949-0 01 * 53852224
- Matrix / Runout (CD 26): 00289 478 949-1 01 * 53852228
- Matrix / Runout (CD 27): 00289 478 949-2 02 * 53852226
- Matrix / Runout (CD 28): 00289 478 949-3 01 * 53852232
- Matrix / Runout (CD 29): 00289 478 949-4 01 * 53852230
- Matrix / Runout (CD 30): 00289 478 949-5 02 * 53853336
- Matrix / Runout (CD 31): 00289 478 949-6 01 * 53852234
- Matrix / Runout (CD 32): 00289 478 949-7 02 # 53852236
- Matrix / Runout (CD 33): 00289 478 949-8 01 + 53852238
- Matrix / Runout (CD 34): 00289 478 949-9 01 + 53852240
- Matrix / Runout (CD 35): 00289 478 950-0 01 + 53853338
- Mastering SID Code (CD's 1,2,4,6,8,15,16,17,25,26,27,28,29,30,31): IFPI LV26
- Mastering SID Code (CD's 3,5,7,9,10,11,12,14,18,19,20,21,22,23,24,33,34,35): IFPI LV27
- Mastering SID Code (CD's 13,32): IFPI LZ87
- Mould SID Code (CD's 1,3,18,20,23): IFPI 0113
- Mould SID Code (CD's 2,6,8,11,12,17,25,28): IFPI 0133
- Mould SID Code (CD's 4,10,13): IFPI 0123
- Mould SID Code (CD's 5,14,30): IFPI 0157
- Mould SID Code (CD's 7,16,19,31): none
- Mould SID Code (CD's 9,21,24,33): IFPI 0149
- Mould SID Code (CD's 15,22,26,27,29): IFPI 0155
- Mould SID Code (CD 32): IFPI 0122
- Mould SID Code (CD 34): IFPI 0115
- Mould SID Code (CD 35): IFPI 0147
- Label Code: LC 00171
- Rights Society: BIEM/SDRM
- Other (CD's 1 to 35 - Matrix Area/Mirror Band): [Universal Logo] [Universal Logo] [Universal Logo] [Universal Logo]
- Other (CD's 1 to 9, 11, 14 to 35 - Mould Stamp): MADE IN GERMANY BY EDC A
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